We began our day with breakfast at Kenyatta University’s Business Center before heading to a cultural lecture with Dr. Hamini Babusa (lecturer of Kiswahili at Kenyatta University), and his students, where we were introduced to basic Kiwahili.
From the start, the atmosphere was warm and interactive, making it easy to step outside our comfort zones. We began with simple greetings, which immediately reflected how respectful and community oriented the culture is. Although the phrases seemed insignificant at first, learning them boosted our confidence and made approaching others feel more natural.
Hujambo! (Hey, how's it going?)
Shikamoo. (How do you do?)
Used formally by a youth or inferior to greet elders, superiors, or important persons, literally meaning to fall at one's feet
Habari gani? (What's the news?)
Jina lako ni nani? (Whats your name?)
Una miaka mingapi? (How old are you?)
Unasoma chuo gani? (What college do you go to?)
Sijambo (Doing good!)
Marahaba (You are most welcome.)
Used formally by the elder, superior, or important person as the proper welcoming response to shikamoo
Nzuri sana (Going good!)
Jina langu ni ______. (My name is _______.)
Nina miaka ______. (I am______ years old.)
Ninasoma Hollins University! (I go to Hollins University!)
Kichwa — Head
Mabega — Shoulders
Magoti — Knees
Vidole — Toes
Macho — Eyes
Masikio — Ears
Mdomo — Mouth
Pua — Nose
Practicing these responses helped the language feel far less intimidating and much more accessible.
One of the most enjoyable moments of the lecture was learning the Kiswahili version of Heads, Shoulders, Knees, and Toes. Singing together had everyone laughing, especially as we struggled to keep up with the pace. It was a reminder that learning doesn’t always have to be serious; music and movement can make lessons even more memorable.
After the lecture, we met with Professor Ngeranwa, the Acting Deputy Vice Chancellor of Research, Innovation, and Outreach at Kenyatta University. The meeting itself reflected the generosity and respect of our hosts. We were welcomed with tea and food, and the seating was arranged in a square, creating a formal yet inclusive setting that encouraged dialogue rather than hierarchy. The structure of the room, along with the careful hospitality, signaled how much value was placed on our presence and on the partnership between our institutions.
During the meeting, students were also invited to speak and share our reflections and appreciation. Being able to voice our experiences alongside faculty reinforced that this partnership extends beyond administration and is rooted in student learning and shared growth. Conversations between both universities showed shared values around education, cultural exchange, and research. When Professor Ngeranwa stated that “iron sharpens iron,” it captured the spirit of the meeting: a belief that through working together, both institutions can challenge and strengthen one another.
The discussions pointed toward future possibilities, including joint research projects, continued cultural exchange, and deeper academic partnerships. What stood out most was the sense that these plans were not abstract ideas but achievable goals built on mutual respect. The courtesy call helped us understand that this program is not simply a visit, but part of a larger, intentional effort to build lasting relationships. It transformed our experience from a meaningful cultural introduction into a purposeful collaboration with long term impact.
After lunch at the Thika Mall, we headed back to Kenyatta University for dance and music lessons. Once there, we were greeted by Professor Barissa Didha, Senior Music Instructor and Director of the Rambolo Dancers of Kenyatta University. To start, the male dancers performed a traditional dance originating from the lake region of Kenya, which showcases how a man would attract a woman; the female dancers then performed a beautiful dance that would grace a special occasion within the community. Professor Didha then showed us the Chivoti, a bamboo traverse flute common among the Digo and Mijikenda groups, known for its mellow, seductive sound. This dynamic flute is not only used in traditional dances but also by cattle herders trying to gain the attention of women gathering water by a river.
After various rhythmic dances used to entertain, a very special naming ceremony was performed for the birth of a baby in a village; however, no one expected that the Hollins University president, would be that baby! With all of us gathered around, President Hinton was "reborn" as her African-Luhya name, Nalika, meaning "awaited guest" or "a child whose birth was specially awaited," was commemorated with chanting and fantastic dancing.
Next, the famous Miri celebration dance was performed, originating in communities near the River Tana, Kenya's largest river. This was followed by Hollins students Angel, Bagby, Sylvia, and Hazel demonstrating their impressive music abilities by drumming a large drum and strumming the Orutu and Lyre.
After that, we got word that another baby had been born in a nearby village! This time, Dr. Jalloh was the baby! We once again came together and commemorated the birth of “Odongo Ojwang,” meaning industrious, hardworking, and courageous, as Dr. Jalloh was "reborn" and accepted into the Kenyan community.
As our lesson came to a close, we played some indigenous instruments, such as the Nzumari, a woodwind instrument found among the Duruma community of Kenya, and the Bungo, a complex woodwind instrument from the Mijikenda people. However, yet again we got the news that another baby had been born!! The final baby of the evening was Dr. Breitwieser! We therefore all came together one last time to celebrate the birth of Mwende, meaning beloved and cherished company, a fitting African name for Dr. B!
As the ceremony concluded, we ended the lesson with an immersive courtship dance with the Rambolo Dancers.
Our day was a blend of language, music, and movement that deepened our understanding of Kenyan culture. Beyond learning basic Kiswahili, we learned about traditional instruments, watched dances, and even joined in, experiencing firsthand the joy and community spirit of these cultural expressions. Coupled with meaningful dialogue with faculty, the day showed how language and art bridge cultures and foster lasting connections.